THREE OF THESE WOMEN

Responding to an increasingly digitalised world where images and time periods merge and appear in one seemingly eternal present, Harriet Gillett hopes to slow down these increasingly fast-paced encounters into images of reverie. Taking reference from the emotionally charged vibrancy of post-Impressionism and the devotional nature of Western religious formats, her combination of traditional subjects with contemporary materials enables her to tread a line between multiple perspectives and time periods.